Friday, 6 February 2015

Y Tŵr - The Tower by Annie



Annie has kindly agreed to review some welsh language productions that have played locally in North Wales.


Y Tŵr - The Tower
    by William Gwenlyn Parry

       Invertigo Theatre Company
    4th February 2015, 7.30pm, Galeri Caernarfon
      A Welsh-language production with English subtitling.


Photo credit: Invertigo Theatre Company
(Accessed from www.arcolatheatre.com)

A stage populated by a variety of white boxes, a portal high up in a wall. A young woman emerges from inside a box and is followed by a young man, sharing and discovering a space which might represent their lives, emotions, even life itself, a space dominated by boxes which at times form a ladder, a tower, a path to the next space, only attained by ascending the tower and journeying through the portal high above.



The Man and Woman spend 80 minutes on stage, locked into various spaces and using the Tower to move to each new episode and phase of existence, a Tower which can only be ascended and not descended.



Their relationship with each other is explored, and their relationship with the Tower,and the space and time it dominates and its power to draw them inexorably upwards, whether they want to move or not, representing in itself the journey of their shared lives and experiences, at times a source of excitement and discovery, at other times an object of fear and regret. Each time they ascend the Tower, they enter a higher, though not necessarily better,space in their life-journey, always travelling together until the last time,where, old age attained, the man moves through the portal alone, his final journey.



The couple move through the journey of life and love, moving via the Tower through their teenage years with all the attached angst, love, jealousy, fear and excitement, all the while both scared and excited to exist within the first room, and then becoming comfortable in the space and fearful yet excited to ascend the tower of adulthood and sexual experience.



In adulthood, middle age; workplace ambition and envy,marital infidelity couple with a heady mix of spite, contempt, love and loathing, entwined inextricably with an emotional co- dependency which leads them continually upwards towards old age, where a grumbling contentment reigns, shared companionship and memories sustaining the relationship and love, as they continue to travel towards death, the next part of their journey.



Three times during the show, a train is heard rushing past, perhaps symbolising the passage of time and events which exist outside their own space, outside the private space in which the Man and Woman exist: enclosed within the Tower of their own experiences, they hear the train passing and perceive it differently, with a different emotional response,on each occasion.



Y Tŵr is a study of the emotions of the couple, their perceptions, both shared and individual, their memories both true and false,their fantasies,feelings and misconceptions,



Invertigo Company presents this play written by playwright and screenwriter William Gwenlyn Parry, by many often considered the Welsh Harold Pinter, living and working in a similar time frame. The production is simply presented: the set is a series of boxes used as props,containers and the constituent parts of the complex entity of the Tower,sometimes  spread across the stage,sometimes piled together to create a staircase toward each next life experience, a sparse white set which seems to highlight that material possessions are ephemeral to the journey. Costuming is also simple, costume changes often taking place onstage as part of the journey.



Catherine Ayers and Steffan Donnelly portrayed the roles of Woman and Man very powerfully, convincingly encompassing a very wide range of emotions and stages in life, often using physical expression and movement in place of dialogue.



This play was incredibly thought provoking, sometimes causing laughter, and sometimes a thoughtful silence,sometimes provoking shock, as the audience followed an emotional journey of its own, evoked by the experience of the characters, and ultimately reflecting part of each individual's journey up their own Tower and through their own portals to new phases in  life.



This is a story that everyone in the audience can relate with on some  level, and for those non- Welsh speakers in the auditorium, the presence of subtitles guarantees that all can understand the themes and emotions presented in this play.


Reviewed by Annie (  )


Wednesday, 4 February 2015

I thought it would be good to share my honest thoughts about musicals even if I prefer fringe theatre, drama, opera and dance productions nowadays!  I adopted this self Q&A from a fellow theatre acquaintance, Kat Caunter who adopted it from Charlie Reynolds.

What is the first musical you ever saw?

I've seen various musicals on TV including Sound of Music, Chitty Chitty Bang Bang, Grease and so forth.  My first 'big' musical I saw was The Phantom of the Opera and seeing this musical gave me a very big love the theatre and arts!

What was your favourite musical growing up?

 
Well I loved the music to CATS! It was the musical I had the biggest desire to see! It wasn't until I was in my 20s when I finally got to see the show for the first time! Worth the wait!

What was the first musical you ever saw in the West End?


Starlight Express in 1995


If you could be any male/female character in a musical who would you be and why?

I don't have anything to say about that!

What's your favourite musical song to sing?

Too many to share here!


Who's your favourite actor/actress?

I usually focus on the musicals much more than who's in it! So I like many especially who make my visit to the show enjoyable!  Recently I especially enjoyed Sophia Ravagelas as Grizabella in CATS at the London Palladium and always will make time for Jon Jon Briones as Miss Saigon's Engineer.

What is your favourite film adaptation of a musical?



Image credit: http://pixshark.com




I enjoyed Into The Woods starring Meryl Streep, James Corden and Emily Blunt recently.   I also liked Tim Burton's Sweeney Todd starring Johnny Depp and Helen Bonham Carter.

What do you think is the most underrated musical?

From Here to Eternity.  Never understood why it closed in the West End sooner than planned!


What do you think are the most overrated musicals?

Certainly The Phantom of the Opera, Les Miserables and Wicked! I can tolerate Phantom because I have a big love for the show even if it has been strained lately for various reasons; I don't really care much for Les Miserables, great musical score but I do get bored with some of the scenes! As for Wicked, I always enjoy the show, do feel for Elphaba, but I'm not in a rush to return to see it again and boy the fandom (I'd say the same for Phantom and Les Miserables) is rather a bit too much for me.  It simply ain't me!

What musical made you cry?

Miss Saigon

What musical made you laugh?

Many do and it's hard to think of just one.

Are there any musicals you saw and hate?


I wouldn't say hate but I now have no desire to see Les Miserables again on stage! I didn't enjoy The Bodyguard and weren't moved with a number of junk box musicals that are playing or had played in the West End.  Though I haven't seen them I don't want to see Book of Mormon, Rock of Ages and We Will Rock You - they simply don't appeal to me and I know that the tickets will be wasted on me!


What musicals do you want to see as a film?

I don't know.  I guess we will have to wait and see!

What musicals are you dying to see?

None!

What is your all-time favourite musical?





Miss Saigon!

Now I want to focus more on local theatre, fringe, dance productions and plays from now on!


Tuesday, 3 February 2015

Matthew Bourne's Edward Scissorhands


Edward Scissorhands at Liverpool Empire Theatre


Matthew Bourne's wish to tell the story about someone unique and his quest to be loved and accepted has come true.  Based on Tim Burton's movie in 1990, Matthew Bourne's Edward Scissorhands first premiered in 2005 and this 2014 revival production is currently touring the UK including Liverpool's Empire Theatre.

The modern fairy tale is told through music and dance with emotion and innovation.  Dominic North no doubt draws and moves the audience with his incredible portrayal of Edward where one feels for his lonely plight.  At the same time one is entertained by his antics especially his interaction with the Boggs family.

The choreography is exception with its talented ensemble dancing seamlessly to Terry Davies's and Danny Elfman's music and ensuring that the suburbia Hope Springs is kept alive throughout.  The breathtaking sets and colourful costumes by Lez Brotherston compliments perfectly with the technical elements including Howard Harrison's lighting and Paul Groothuis's sound designs.


Edwards Scissorhands guarantees one a magical journey from arriving to the theatre to being part of giving the cast a standing ovation at the end of a successful performance.  It's certainly one of the most sought after dance productions to see whether you're a fan of the movie or dance in general.  Next New Adventures/Matthew Bourne Production that will be touring later this year is the revival of The Car Man...which one cannot wait for!

Sunday, 1 February 2015

Icarus Theatre's The Trials of Galileo, 30th January 2015, Square Chapel, Halifax

Curiosity and intrigue leads one to see this one man production, produced by Icarus Theatre, at Halifax's Square Chapel at the end of January.



 Image credit: Icarus Theatre
(Accessed from http://www.squarechapel.co.uk)



Galileo's trial to heresy in 1533 is narrated by Tim Hardy in a small compact space with neatly arranged laid out props which sets its context.  The trials and tribulations of Galileo were linked to the books he wrote about new astronomical discoveries following construction of his telescope in 1610.  He is an extraordinary individual with a passion for science including physics, mathematics, philosophy and significantly astronomy.

His discoveries of the solar system particularly its relationship with the earth caused controversy among astronomers and eventually to the religious leaders at the time.  The church felt that the discoveries and proof were a threat to one's faith and this led to his trial.


Galileo has been known as the 'father of modern science' and his telescopic contributions no doubt led to the development of astronomy.  This created a nucleus for key discoveries particularly with Isaac Newton, the Enlightenment era and also Albert Einstein and Stephen Hawking in the 20th Century.  The findings and its proof has influenced many to see the earth in a different perspective.

Seeing The Trails of Galileo has opened up ones curiosity to continue discovering whether its science or the arts.  This production is projected with simple but effective lighting and soundscapes which set the characters mood with a wide range of emotions expressed throughout.  It's currently touring in England and Ireland at the moment.  Please click on the schedule.