Monday, 22 October 2012

A Worthwhile Tour

One Friday afternoon in June 2012 I decided to do a tour of The Grand Theatre in Leeds.  I had meant to participate in one but it was always hard to secure a place because of it's popularity. I was very lucky to have secured a place when I had booked the preceeding week.


It cost me 5 gbp (July 2012) and the tour approximately takes an hour. We were taken to the Dress Circle Foyer and that part of the auditorium. We had an opportunity to marvel at the interior including the Burmantofts tiles.

Afterwards we take taken backstage to prompt corner, the scenery bridge and fly bridge itself and got to appreciate what needs to be done for a production to run smoothly. The Grand is mainly a receiving theatre for shows although they have two in house theatre companies, Opera North and Northern Ballet.

We learnt of the resident ghost, 'Lady Lavender' who resides in one of the boxes (Box D). I don't believe in ghosts or consider myself superstitious but if you do there you are!

The Grand was constructed in 1877 and took 13 months to complete. The Upper Class wanted somewhere where they could flaunt their social hierarchy and the theatre was a perfect opportunity. The city's other theatres and music halls were beneath their "station". The social hierarchy attitude of the theatre allowed separate entrances for both the upper and working classes and people of both classes were not allowed to sit together. For example, the Dress Circle was totally off limits to the working class even if they could afford to upgrade. Eventually patrons of all classes became unified at the theatre through the ability for one to pay for any seat in the house.

The theatre had undergone a transformation during 2006 in which since then can hold bigger theatre productions such as Phantom in August 2012 (which is arriving at the theatre by 20 lorries!)

Sunday, 21 October 2012


Public Guided Tour of the London Coliseum
 
I joined one of the public guided tours The London Coliseum organises from time to time. It was nice exploring inside the beautiful theatre including the foyer areas, auditorium, backstage (I was surprised to hear about the area having a lack of space for their props but incredible all the same!).

We learnt about Frank Matcham who design the Coliseum but he also designed Buxton Opera House. I was surpised to have learnt that he also designed the the Victoria, Cross and County Arcades in Leeds! Sir Oswald Slott, a Philanthropist, plated a major role at the theatre only for his mother to bail him when he was deeply in debt!

Lilian Baylis played a big role in the theatre world where she was involved with The Old Vic, Sadlers Well and English National opera. I learnt that the English National Opera was founded in 1974 and the company transferred to the Coliseum from Sadler Wells from 1968. The company holds strong beliefs in that 'opera speaks your language' and that everyone ought to access them. Their policy is that all their opera productions are in English in order for that to happen.

It cost me 10.00 GBP (June 2011) to join the tour. Unfortunately photography is forbidden inside the theatre so there are only a couple of photos of the Coliseum from the outside. 

Website: http://www.eno.org